The Unnamable by H.P. Lovecraft

I rarely feel that H.P. Lovecraft inserts himself into his stories, but in this work, I think there is a very reasonable argument to be made. The first thing that gave me this notion was in the very nature of the argument occurring in the story. Our protagonist attempting to explain to a friend the “unnamable” forces and events that occur in our world. You can see this explored in almost every piece of Lovecraft’s work, unexplained events, and things, cosmic in nature. I truly could see the entire beginning of this work actually happening to Lovecraft in his life, and when he suggested our protagonist was an author in what seemed to be “pulp magazines”, I was convinced. Sometimes Lovecraft gets very specific in complaints or opinions that it’s hard to feel that there isn’t a small bit of commentary not happening, but this conversation is very unique. Instead of Lovecraft complaining about the aesthetic of a house in Providence, Rhode Island (like he did in Call of Cthulhu) he gives a very deep and nuanced in stating his position on this specific topic. The idea of the unknown and its power in intergyral to understanding Lovecraft’s work, usually manifesting into some gelatinase monster as it does in this story.

What The Moon Brings by H.P. Lovecraft

It is always a joy when H.P. Lovecraft chooses to use the dark and unexplored oceans as subject matter for his stories. As many of his stories do, What the Moon Brings again dives into (pun intended) Lovecraft's fascination of what lurks at the bottom of the ocean. I am curious though if this sunken city has any connection to the several other lost and nameless cities that we are able to explore in Lovecraft’s other writings. Though uniquely the city described in this story is less of a primordial spawning pool of “The Great Old Ones”, but something more of a spiritual nature. Almost feeling like places for the dead described in other religious and mythical works, like the literal Egyptian City of the Dead or the very concept of catacombs. Where I see the spiritual nature of this city resides in, is in the description of the unique creatures, the “Lotos-faces”, the black condor, and the “eikon”. Specifically, these are called out from the other sea creatures that simply feed on the rotting city. These monsters seem to be filling a more important role in the nature of the place. Possibly, the “Eikon” as a guardian, the “Loto-faces” as caretakers of the city, and the “Condor” as some kind of guide. This, obviously could be some extreme extrapolation, but in my understanding of how other mythical and horrific places such as this that exist in Lovecraft’s Mythos, it is reasonable. A lost and vile city of the dead that sits at the bottom of the ocean and is only visible during specific lunar cycles and guarded by horrific monsters. Sounds like a religious site for The Great Old Ones to me.

            As a foot note I’d like to suggest something about the reason the oceans seem to be a repeating theme in Lovecraft’s work. Knowing the early 20^th century which Lovecraft lived in, the discovery of metaphysical and unseen forces that “run” the world, such as radiation and atomic particles. It would have most definitely shrieked and belittled the importance of humanity while increasing the vastness and unknown nature of the cosmos. Remembering that no man had been to the bottom of the ocean at this point, a very physical and tactile obstacle for humanity to overcome. It seems a perfect place to attribute and explores these fears of the unknown. While also having some fun with sea monsters and similar weird things.